“The width of Hans’ music is so broad, it’s amazing to mix,” said Colin Pink, front of house engineer for Hans Zimmer Live and the World of Hans Zimmer. “As an engineer, it comes with a lot of challenges in the mix and the PA as you’re covering small intimate chamber orchestras to massive punk rock feel.”
To produce some of Zimmer’s most unique sounds, the capacitors are removed from all the keyboards during the production so they can reach as low as 10 Hz. While humans can sometimes hear tones below 20 Hz, at 10 Hz people still feel the sound and low-pressure levels on their eardrums. The audio team for the tour were frustrated that they were missing the bottom octave with their current system and wanted to add some low-end extension to reach these new lows and satisfy the auditory vision of the award-winning composer. Enter Danley Sound Labs. The team found Danley’s DTS10 subwoofer, a high-definition subwoofer built for cinemas with an unheard-of output down to these frequencies.